© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
Projection
25 Saturday Feb 2012
Posted Blog, Project: Silhouettes, Singapore
in25 Saturday Feb 2012
Posted Blog, Project: Silhouettes, Singapore
in© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
25 Wednesday Jan 2012
© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
24 Tuesday Jan 2012
© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
(http://flic.kr/p/aMd628)
23 Monday Jan 2012
Tags
© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
23 Monday Jan 2012
Posted Blog, Japan, Project: Silhouettes, Shibuya
in© 2012 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
30 Friday Dec 2011
Posted Japan
inA lone biker facing the onslaught of a lot of people coming his way in the Shibuya Crossing, Tokyo, Japan.
© 2011 Tina De Guzman.
All Rights Reserved. No Use Without Written Permission.
27 Tuesday Dec 2011
Posted Japan, Project: Silhouettes
inTags
Last shot in Japan. Done while waiting for the airport limousine bus at the Seiseki-Sakuragaoka Station to take me and my heavy-ass luggages to Narita.
23 Friday Dec 2011
Posted Project: Silhouettes, Singapore
inTags
Tip toe, tip toe, jump up, let yourself go, be the clown
splish, splash, relish the droplets upon your crown
twist around, turn upwards, sidewards, upside down,
walk on water, heck, dance through the whole town.
—
Singapore. December 2011.
21 Wednesday Dec 2011
Posted Japan
inHey, girl, hey, who are you waiting for?
I’m no stranger to that, I’ll tell you what’s in store.
You think you can, you force yourself,
to bear it out, grit your teeth, believe they’ll come.
But are you prepared, wouldn’t you crash
when the outcome’s not what you’ve wanted,
when it turns out it’s nothing you’re standing here for?
Yeah, not a stranger to that, I know just what’s in store.
19 Monday Dec 2011
Posted Japan, Project: Silhouettes
inThe darkness descends
and I see myself standing beside you,
wings fluttering, face beaming,
words full of those carefully-crafted promises
you’ve always seemed to bring.
You point and the path seems ominous somehow,
the lattice seemed lit in sporadic manner and yet not,
there’s a randomness to it but even that is periodic,
to some end I think I see but really cannot.
Each time brings me to this point,
to think whether to stay here or move somehow;
rooted on my spot or take a step now,
to watch you go away to the distant point alone
like I do, every single time,
or float along with you and be done of this dream,
finally, conclusively, once and for all.
So, my friends and I were killing time waiting for the Tokyo Dome to open its gates for the Aerosmith concert, just walking around Tokyo Dome City and checking if there’s a shop we could go to check stuff out at. Then I saw this, I don’t even know what this kind of structure is called, like maybe a walkway with arches or something? Anyway, Japanese people are quite fascinated with lighting up stuff like maple leaves, trees, bushes, et cetera (they usually call it “Illumination”). This one was well-done, I thought, because the visual appeal was just off the charts that I let my friends walk away and I just kind stood there, looking at the awesome geometric patterns and the awesome lighting and thought, “wow, this would make for a very dramatic photo right now, only if someone actually is right there in the middle …” Lo and behold, two people actually walked right past me and onwards to the center of the perspective lines. Ready, aim, fire, plug into computer, run black and white conversion, and voila — this shot was made.